[FeminEasts] Detailed Call More, decolonizing and public meetings should exist for and about the feminisms of the globe’s “imagined easts”. As part of an attempt to create one such type of “meeting place”, we envision a series of 4 podcasts to be released regularly over the next year. For this planned LeftEast series, adequately-titled (you will agree) “FeminEasts”, we invite contributions of short audio and text materials from feminist contributors wherever. Podcast lovers and amateur sound recorders are welcome; we can provide minimal technical info and tips. The broad intention of this stories-an ..
Feminism is transnational. Yet the common ground between different activist scenes is more an assumption than a concrete reality. A discussion that began in the fall of 2016 on the Facebook page Working Group on Post-socialist Neoliberalism and Social Movements noted the absence of a shared decolonial public space for left feminists. We don’t talk often enough among Bulgaria, Ghana, Ireland, Turkey, Lebanon and South Korea, neither about current developments, nor about common themes that emerge from the twisted (in the good and bad sense) political practices of global feminism. Whereas we can gather around ..
Note from the LeftEast editors: a Bulgarian version of this text first appeared on the pages of Kultura weekly newspaper. Christina Grozeva and Peter Valchanov’s The Lesson (2014) is probably the first feature film that explains the Bulgarian winter of discontent in 2013. It tells the story of a “normal” week in the life Nadezhda (Margarita Gosheva), a Bulgarian school teacher from a small town. While she tries to punish one of her students who committed theft in a morally instructive way, life teaches the instructor a much more serious moral lesson. The Lesson is based on a true story from 2010, sensation ..
Originally appeared on Balkanist. Šejla Kamerić discusses the status of art and women in the Balkans as well as her controversial piece “Bosnian Girl.” Inspired by the graffiti printed on the walls of the army barracks of Potočari, the piece takes on a renewed significance as the 20th anniversary of the Srebrenica massacre approaches. If you type the words “Bosnian Girl” into Google Image Search, one result will stand apart from the rest. This image, the best-known work of Bosnian artist Šejla Kamerić, shows a woman staring defiantly at the camera in stark black and white. The text overlaid on ..
Source: Rosa Luxembourg Stiftung This years’ CSW (59th in a row) was represented by revisiting and celebrating The Beijing Declaration and Platform for Action (BPfA) what without any doubt influenced the framing of the whole conference in the context of «20 years after the Beijing.» Just to remind ourselves quickly the Beijing Declaration was the «can do» result of advocates for women’s rights from around the world who came together to network and lobby «to develop a framework of comprehensive commitments promising to change the lives of women and girls everywhere», as it is underlined in the UN’s Int ..