Note from the LeftEast editors: This article was originally published as part of the Gazette of Political Art (GAP) #12 „In the Name of the Periphery. Decolonial theory and intervention in the Romanian context” December 2015, coordinated by Veda Popovici and Ovidiu Pop. It is the first out of a small series of materials from this issue, which LeftEast will present in English. The illustration was prepared for GAP by Alex Horghidan. by Veda Popovici and Ovidiu Pop (translated from Romanian for LeftEast by Raluca Parvu) During the 18th century, philosophers from Western European kingdoms have elaborated a ..
- The crushing of Chechnya’s aspirations for independence: An interview with Tony Wood
- Our Strike is Essential! Together with Polish Women for Freedom of Abortion
- Armenian leftists: We consciously choose peace
- How I Stopped Worrying and Learned to Love Milo
- (Post)pandemic struggles in social reproduction: COVID-19 and housing justice in Serbia
Google Analytics Statsgenerated by GADWP
The Sutjeska and Bijeljina monuments appear to stand for two profoundly divergent worlds, one symbolizing the cosmopolitan and antifascist past of socialist Yugoslavia, the other embodying the hyper-nationalist and segregationist present of post-Yugoslav states. Yet both monuments were made by the same sculptor. A ..